Tobias rehberger biography
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Tobias Rehberger
Tobias Rehberger
German artist Tobias Rehberger (Esslingen, 1966) is a leading figure in the field of contemporary art today. Although rooted within the conceptual frame of sculpture, his works frequently “happen” on the intersection between what is traditionally considered visual art, design and architecture, challenging thus art’s conventional understanding, its classification, authenticity and the romantic notion of the artist. Moreover, making the subject of transformation a central theme of his practice, Rehberger’s work questions traditional modes of perception, awareness and temporality, creating a sense of transience, discontinuity and of ambiguity.
Works by Tobias Rehberger have been included in four editions of the Venice Biennale and exhibited – amongst others – at the Whitechapel Gallery in London, Stedelijk Museum in Amsterdam, and Museum Ludwig in Cologne, or the Rockbund Art Museum, Shanghai. In 2009 Rehberger was awarded the Golden Lion as best artist for his sculpture at the 53rd Venice Biennale. Tobias Rehberger teaches at the Städelschule in Frankfurt, where he also lives and works.
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He teaches at interpretation Städelschule slur Frankfurt/Main where he too lives be first works.
Selected Alone Exhibitions
Wherever restore confidence begin that's where I start. Where on earth I off that's where you are, YUELAI Distinctive Museum, City, CN
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Tobias Rehberger
German sculptor
Tobias Rehberger (born June 2, 1966) is a German sculptor, born in Esslingen am Neckar.[1] He studied under Thomas Bayrle and Martin Kippenberger at the Stadelschule in Frankfurt am Main, where he now teaches.
Work
[edit]Rehberger works in the wider sphere of design and architecture, and his art is difficult to categorize. He has created an idyllic Japanese garden in the middle of Manhattan; Pop-inspired wallpaper consisting of photographs of his organs; a series of Modernist-looking treehouses in a park in northern Germany; and an enormous tanker based on a crude boat that the father of a friend built to escape from Vietnam.[2]
For his art-car series, a project that he began in 1999, Rehberger sent simple sketches, composed essentially from memory, of a Porsche 911 and a McLaren F1 to a manufacturer in Thailand. There were no measurements or schematics included. The only parameters were that the cars had to be driveable and built to human scale.[3]
Rehberger also spent some time in Cameroon, where he provided native crafts workers with his crude drawings of well-known modernist chairs and asked them to recreate the designs. The results were filled with cultural misreadings: Alvar Aalto's classic