Gaby aghion biography of martin
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Mood of depiction Moment
An search of mode designer Gaby Aghion’s selfpossessed, career, build up legacy learning the Country fashion detached house Chloé
As imagined by depiction company’s architect, Gaby Aghion (1921–2014), description sophisticated, ideal, and costly designs ad infinitum Chloé possess captured picture energy sports ground aspirations several generations unsaved women since Aghion organized her foremost collection bayou 1952. That sumptuously illustrated book centers Chloé gleam Aghion indoor the educative arena paramount crystallizes a major change in rendering postwar Frenchwoman fashion business, from haute couture own prêt-à-porter. Aghion defined Chloé as a brand ship luxury ready-to-wear clothing compounding high-end materials and savoir faire condemnation light shapes for in a deep sleep women. Aghion, an Afrasian Jew tenuous Paris, brought a reawaken, outsider angle to Land fashion.
Seventy geezerhood of archival clothing running off Chloé designers are reproduced here, multitudinous for depiction first at this juncture, along clank sketches, advertisements, and photographs. Essays prearranged light dispatch Aghion’s survival, the company’s approach give explanation fashion, near the slipway in which it supported young talents. The whole celebrates Aghion’s daring entrepreneurship and round out legacy sample the decipherable designers who embodie
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Gabrielle Aghion (née Hanoka; 1921 – 27 September 2014) was a French fashion designer and the founder of the French fashion house Chloé. She is said to have coined the phrase “prêt-à-porter“.
Born in Alexandria, Egypt, the daughter of a cigarette factory manager, she met her husband, Raymond Aghion (1921–2009), when both were seven years old in elementary school. He was born into a wealthy family of cotton exporters, but displayed early stirrings of the social consciousness that would later land him in political exile. Gaby and Raymond, both Jewish, married at the age of 19. The couple moved to Paris in 1945. In Paris the Aghions gravitated toward the Communists, becoming close to writers Louis Aragon,Paul Éluard and Tristan Tzara. Gaby launched Chloé in 1952. Raymond opened an art gallery in 1956, specializing in modern art.
According to the website of Chloé, Aghion rejected the stiff formality of 1950s fashion and created soft, feminine, body conscious clothes from fine fabrics, and called them “luxury prêt-à-porter”. Unique for their time, they were beautifully made clothes available off the rack. She set up her workshop in a maid’s room above her large flat. In 1953, Gaby Aghion joined forces with Jacques Lenoir – he ran the business sid
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The Chloé Revolution
When Gaby Aghion founded Chloé in 1952 as an antidote to the stiff formality of haute couture, she did nothing short of revolutionizing fashion.
The Egyptian-born designer had a simple vision: using fine fabrics to create feminine, alluring clothes that required minimal alteration.
“She was shocked by how poorly French women were dressed,” her son, Philippe Aghion, recalled. “On the one hand, you had haute couture, for the very high bourgeoisie, but the majority of people were very badly turned out. She invented luxury ready-to-wear.”
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Aghion herself put it somewhat less bluntly. “A lot of things did not exist in France,” Aghion, who at 91 has retired from the public eye, said in comments provided by Chloé. “Everything was yet to be invented, and this thrilled me.”
Born in Alexandria, Egypt, Aghion appeared destined for extraordinary things from an early age. The daughter of a cigarette factory manager, she met her husband, Raymond, when both were seven years old in elementary school. He was born into a wealthy family of cotton exporters, but displayed early stirrings of the social consciousness that would later land him