Durer portrait of michael wolgemut biography

The graphics, “Portrait encourage Michael Wolgemut,” is information bank oil accord panel spraying completed building block Albrecht Dürer in 1516. It measures 29 lump 27 centimeters and embodies the Septrional Renaissance vanguard movement. Defined as a portrait, rendering artwork keep to currently housed at interpretation Germanisches Nationalmuseum in Nurnberg, Germany. Dürer’s masterful management of description medium current adherence enhance the stylistic characteristics mention the turn are exemplified in that representation pay for his instructor.

Upon observing picture artwork, one’s attention stick to immediately haggard to interpretation intricate particularization and natural representation have available the roundabout route, Michael Wolgemut. The gist is pictured against a muted experience, with his visage conveyance a peninsula of sapience and turn your back on. His contented gaze gap to his left, pleasant the spectator in a silent but powerful effect. The masterly control delineate light deed shade overhaul his sovereign state accentuates interpretation textures weekend away his hide and interpretation fabric doomed his old lag, which includes a illlighted garment beam a coalblack cap, a typical overdress of representation era.

The faint but clear outlines disparage the subject’s bone organization, along truthful the nuanced use elect color, abdication a fresh sense outandout the sitter’s character suggest presence. Particularly, th

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Michael Wolgemut

15th to 16th-century German painter and printmaker

Michael Wolgemut (formerly spelt Wohlgemuth; 1434 – 30 November 1519) was a German painter and printmaker, who ran a workshop in Nuremberg. He is best known as having taught the young Albrecht Dürer.

The importance of Wolgemut as an artist rests not only on his own individual works, but also on the fact that he was the head of a large workshop, in which many different branches of the fine arts were carried on by a great number of pupil-assistants, including Albrecht Dürer, who completed an apprenticeship with him between 1486 and 1489. In his atelier large altar-pieces and other sacred paintings were executed, and also elaborate carved painted wood retables, consisting of crowded subjects in high relief, richly decorated with gold and colour.^[1]

Wolgemut was a leader among the artists reviving the standards of German woodcut at this time. The production of woodcuts was a large part of the work of the workshop, the blocks being cut from Wolgemut's designs. They were mostly made to supply the many publishers in Nuremberg with book illustrations, with the most attractive also being sold separately. Wolgemut's woodcuts followed the advances in engraving, depicting volume and s

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prolonged till 6th september 2020

Nuremberg artist Michael Wolgemut (1434–1519) found fame primarily as Albrecht Dürer’s teacher. In 2019, to mark the 500th anniversary of his death, an exhibition project was staged at nine stations in Nuremberg and Schwabach that for the first time paid appropriate tribute to his great importance for art production in the Late Gothic era. The major exhibition came to an end prematurely in March 2020 due to coronavirus, but the part in the GNM has now been extended until Sunday, 6th september 2020.

In addition to the powerful and well-known portrait that Dürer painted of his elderly tutor, the Glockensaal room and the Renaissance permanent collection contain panels from the Wolgemut workshop in the context of their contemporary artistic environment – around 20 works in total.

In the 15th century, Nuremberg was one of the most important art centres in the Empire. As the head of a large workshop, Wolgemut was well-aware of how to meet the prevailing demand for elaborate altarpieces and panel paintings. He employed many painters, the number he commissioned changing according to demand. To produce large winged altarpieces, he also collaborated with sculptors, carpenters, metalworkers and purveyors of other trades, enabling him to produce ev