Vijaya nandasiri biography examples

  • Veteran cherished, iconic thespian Vijaya Nandasiri who gave life to many characters on stage, small screen and films breathed his last on the way to the.
  • Before pursuing his acting career, Vijaya Nandasiri worked as a catering officer at the airport.
  • Vijaya Nandasiri (6 May / – 8 August ) was a Sri Lankan dramatist and actor.
  • Maname in Retrospect: Homage to the Pioneers of

    KNO Dharmadasa, in the Island, 4 and 5 June

    &#;Maname is not only without question the finest thing I have seen on the Sinhalese stage&#;, wrote Regi Siriwardena in his regular column on the arts to the Ceylon Daily News on November 6, , and added further , &#; It is also one of the three or four most impressive dramatic performances in any language I have been privileged to attend.&#; Such an adulatory statement from a critic who was widely considered the highest authority on the arts in the country was something totally unexpected as far as the Maname team who had come down from Peradeniya were concerned. The producer- director Dr. E.R. Sarchchandra, Senior Lecturer in the Department of Sinhalese in the one and only university in the island, the University of Ceylon, had warned his young cast that there was a possibility of adverse reaction from the audiences in Colombo. He had had a short meeting of the cast just before setting out to the metropoiis and told them not to get disheartened if that was to happen. In fact he himself called the production &#; an experiment&#; Writing &#;A Note to the Production&#; for the programme Note handed to the audience on the first night, November 3, at the Lionel Wendt Theatre, he

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    GED GOONERATNE

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  • Blog

    By Uditha Devapriya &#;

    Uditha Devapriya

    Films are made. They age. They are as subject to decay as other art-forms. Explains why, at the end of the day, very few are remembered. Those few, I’m willing to bet, would have been cast aside, marginalised, looked over, and in other ways rubbished, because they were unconventional for their time. Makes sense. People thought Picasso was mad. His paintings don’t fetch for anything less than , dollars today.

    Madness and unconventionality, we can conclude then, are hallmarks of genius, in films and paintings and pretty much every other art-form man invented in this world of ours. This is a story of one such film, made here and considered ahead of its time.

    Some say our cinema was born in (with a “broken promise”, apparently). That’s true. History begins with a whimper, though. History is created, on the other hand, with a bang. That “bang” came up in the form of a group of escapees from the Government Film Unit, “fugitives” you could say, who got together and filmed a story which remains un-erasable from our cultural history. “Rekava”, the first real Sinhala film to be made on our soil, was released 60 years ago this year.

    “Rekava”, one of those works of art in this country which need no introduction, was footnoted in it