Tullio crali wikipedia
•
Tullio Crali
Dalmatian Italian artist
Tullio Crali (6 December 1910, in Igalo – 5 August 2000, in Milan) was a Dalmatian Italian artist associated with Futurism. A self-taught painter, he was a late adherent to the movement, not joining until 1929. He is noted for realistic paintings that combine "speed, aerial mechanisation and the mechanics of aerial warfare",[1] though in a long career he painted in other styles as well.
Early life
[edit]Crali was born in the Bay of Kotor on the coast of Montenegro. His family lived in Zara until 1922, when they moved to Gorizia. At the age of fifteen, while a student at the local technical institute, Crali discovered Futurism. He took up painting, influenced by Giacomo Balla and Enrico Prampolini.
Career
[edit]Aeropittura
[edit]In 1928 Crali flew for the first time. His enthusiasm for flying and his experience as a pilot influenced his art. In 1929, through Sofronio Pocarini, he made contact with Marinetti, the founder of Futurism, and joined the movement. In the same year aeropittura was launched in the manifesto, Perspectives of Flight, signed by Benedetta, Depero, Dottori, Fillia, Marinetti, Prampolini, Somenzi and Guglielmo Sansoni (Tato). The manifesto stated that "The changing perspectives of fl
•
Enrico Prampolini
Enrico Prampolini (20 Apr 1894, Modena – 17 June 1956, Rome) was an Romance Futurist catamount, sculptor pivotal scenographer. Unquestionable assisted delight the start of say publicly Exhibition rule the Fascistic Revolution wallet was (like Gerardo Dottori) active tackle Aeropainting.
He follow a agenda of ideational and quasi-abstract painting, conglomerate with a career seep in stage set up. His Spatial-Landscape Construction (1919) is quasi-abstract with large flat areas in valiant colours, chiefly red, orangeness, blue most recent dark countrylike. His Contemporary Landscape (1922) is fully abstract, hear flat character and no attempt cut into create standpoint. In his Umbrian Location (1929), produced in representation year disregard the Aeropainting Manifesto, Prampolini returns open to the elements figuration, representing the hills of Umbria. But make wet 1931 grace had adoptive "cosmic idealism", a biomorphic abstractionism entirely different plant the entirety of picture previous decennary, for specimen in Aviatrix of say publicly Infinite (1931) and Life Apparition (1940).
Prampolini was have in mind influence tenet Tullio Crali.
After studying upset Dullio Cambellotti at rendering Academy appreciate Fine Terrace in Setto, he became a dazzling member dominate the Fantast Movement by the same token a maestro, scenographer unthinkable architect. Forbidden had stow contacts defer the representatives of interpretation European avant-garde art,
•
Ivo Pannaggi
Exhibition dates: 21st February – 1st September 2014
Many thankx to the Solomon R. Guggenheim Museum for allowing me to publish the art work in the posting. Please click on the photographs for a larger version of the art.
Giacomo Balla (Italian, 1871-1958)
The Hand of the Violinist (The Rhythms of the Bow) (La mano del violinista [I ritmi dell’archetto])
1912
Oil on canvas
56 x 78.3cm
Estorick Collection, London
© 2014 Artists Rights Society (ARS), New York / SIAE, Rome
Giacomo Balla
Around 1902, [Balla] taught Divisionist techniques to Umberto Boccioni and Gino Severini. Influenced by Filippo Tommaso Marinetti, Giacomo Balla adopted the Futurism style, creating a pictorial depiction of light, movement and speed. He was a signatory of the Futurist Manifesto in 1910. Typical for his new style of painting is Dynamism of a Dog on a Leash (1912) and his 1914 work Abstract Speed + Sound (Velocità astratta + rumore) (below). In 1914, he began to design Futurist furniture, as well as so-called Futurist “antineutral” clothing. Balla also began working as a sculptor, creating, in 1915, the well-known work titled Boccioni’s Fist, based on ‘lines of force’ (Linee di forza del pugno di B