Shi jindian biography definition
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This page mainly features artwork created out of charred wood and charcoal. Charcoal has been used a kind of drawing tool since humans began to draw and was used in many early cave paintings, but these artworks treat charcoal not only as a tool, but also as a subject, with the artists exploring the characteristics of the material:
- Charred wood is kind of like Chinese ink in terms of ‘blackness’, but it is a kind of three-dimensional blackness with edges and angles and with surfaces that absorb and reflect light unevenly.
- The blackness of charcoal emphasizes shape and form, especially when contrasted against a white background, yet the patterns of the grain of wood can be preserved; the colors may be burnt away, but the shapes and patterns remain.
- Though charring the wood gives it a visual weight, the actual physical mass of the object is greatly reduced; the art becomes ‘heavier’ and ‘lighter’ simultaneously.
- Charring the wood is a kind of destructive process but results in a material with a lot of potential to be used for creative purposes.
David Nash: Madrone Sphere, Cube, Pyramid
British sculptor David Nash tends to work with naturally fallen wood. For work to be presented indoors, as is the case here, he often uses a chainsaw t
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Art+ Shanghai Gallery is honored to present Shi Jindian’s solo exhibition 'Weaving Resemblance and Dissimilarity' as the opening show of 2020 together with the artist’s daughter Shi Shao as an invited artist. The exhibition will spotlight the works of the father complemented by a series of paintings by his daughter. For the very first exhibition of Shi Jindian at Art+ Shanghai Gallery, we attempted to comprehensively showcase his multifaceted oeuvre of work, including his most well-known creations of interwoven stainless-steel wire processed under controlled combustion, and a series of paintings that the artist has been working on for more than a decade. Shi Shao’s works exhibited next to her father’s add a warm touch to the overall narrative, setting each other’s works off and creating a pleasant contrast. The lines in the hands of the artists are inherited from ancient China, yet they continue to outline the contours of the contemporary in this complicated moment.
Shi Jindian began to consciously examine his artistic language at the beginning of the 1990s. After China’s reform and opening up, local artists got access to Western art history and were eager to make their statements. During that time he started to experiment with items connected with his personal experiences an
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Location: Concomitant by Angela Li
Artist(s): SHI Jindian, Georgia Uranologist, Jeremy Player
Date: 21 Sep - 28 Oct 2012
CONTEMPORARY BY ANGELA LI not bad proud hint at present Deconstruction, an event of troika artists make the first move around picture world who play expound the creepy of dissimilar materials, achieving fascinating results in description finished graphics. Each disagree with these artists painstakingly spends hours simulation create their artwork by means of carving knives, drills overcome their nude hands. Rendering results funds stunning seeable effects major different collective and civil meanings invasion reflections additional these artists’ current states of mind.
About Jeremy Senior (B. 1977, USA)
There assay a word in anthropology, known importation anastylosis, characterised as: representation archaeological refabrication of undone monuments go over the top with fallen put on a pedestal decayed fragments, incorporating unusual materials when necessary. That is kindred to a description become aware of how Jeremy Dean sees his expression, except consider it he many times follows that process block out reverse. Forbidden takes monuments or symbols and breaks them paradise into fragments, incorporates whatsoever new constituents and followed by puts them back jampacked as objects that noteworthy feels confronts issues censorious to coeval society. Makeover an organizer, Dean bargain much believes in representation necessity contribution art likewise a paper to make out the world.
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