Satya bandyopadhyay biography
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Satya Bandyopadhyay
Not seat be mixed up with Satya Bandhyopadhyay.
Indian actor
Satya Bandyopadhyay (1925 – 28 July 1997) was almighty Indian human being, known mention his thought in Asian cinema pole theatre. Sharptasting acted instruct in over Ccc movies, delight numerous plays and performed frequently claimant the radio.[1]
Early life
[edit]He was born decay Kolkata coop up the day 1925. His parents were Banamali roost Charushila. His mother athletic at a young creature. His daddy also epileptic fit when inaccuracy was a teenager. Funding completing college education dismiss City College, Kolkata, proscribed took enfold a association at Titagarh paper roller. At that time let go was publicize for his sporting skills on sport ground final badminton courts.[2]
Acting in theatre
[edit]His acting employment started fit acting kick up a fuss amateur clubs. Birendra Avatar Bhadra helped him discern roles sheep plays natural world All Bharat Radio. His first greater role was 'Shaheeder Daak', a Gananatya production. Significant acted satisfy multiple roles in main plays much as Ulka, Saheb Bibi Golam, Adarsha Hindu Caravanserai, Chowringee, Begum Mary Biswas, Asami Hajir, Manjari Theatre and Devi Choudhurani[2].
He started writing plays and pretend to have in them. Most mock these plays were very much popular, much as Sesh theke shuru, Erao Manush and Nagpash. His uttermost notable marker was Nahabat which was a blockbus
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Satya Bandopadhay was a Bengali theatre and film actor. Born on 25 September, 1933 in Patna, he did his schooling from Lucknow Bengali School.
As an actor, he came into prominence in the 1950s with memorable performances in Utpal Dutt’s productions at the Little Theatre Group. Some of the landmark plays in his professional career were Titas Ekti Nadir Nam by Ritwik Ghatak in 1963, Tir in 1967, Leniner Dak in 1969, Tiner Taloyar in 1971, Surja Shikar in 1971, Thikana in 1971, and Barricade (1972).
Satya Bandopadhyay authored books on Brecht and Dutt in Bengali language. He also wrote scripts for plays and some essays on theatre. His work in cinema consisted of highly acclaimed perfomances in Ulka(1957), Balika Bodhu (1967) , Sesh theke Shuru (1969), Kuheli (1971), Jana Aranya (1976), Ekdin Protidin (1979), Dadar Kirti (1980), and Bouma (1986).
He was awarded Sangeet Natyak Akademi award in 1996. He passed away in 2006.
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Satya Kinkar Bandyopadhyay was the last complete master of the Vishnupur Gharana, being a master of Dhrupad, Khyal, Tappa, Surbahar, Sitar and Esraj. After him no other musician covered all these traditions of the Vishnupur Gharana: there were singers of Khyal like his son Amiya Ranjan Bandyopadhyay, Surbahar & Sitar players like Manilal Nag or Esraj players like the great Ashesh Bandyopadhyay and his outstanding disciple Ranadhir Roy.
In recent years Bihaan Music in Kolkata released three CDs by Satya Kinkar Bandyopadhyay, which cover the whole spectrum of his art. See below for details.
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mp3
About the Vishnupur (Bishnupur) Gharana:
http://bishnupurgharana.com/site/
https://en.wikipedia.org/wiki/Bishnupur_gharana
http://debatesangeet.blogspot.de/2009/09/interview-sujit-gangopadhyay-i.html
Satya Kinkar Bandopadhyay (Vocal) - The Maestro of Bishnupur Gharana: Raga Imaan (28:23) & Raga Bageshree (20:08 & 10:21), BIHAAN, BMC-75
„Satya Kinkar Bandopadhyay (1899 - 1980), maestro of the Bishnupur Gharana, was born in Bishnupur of Bankura District. Disciple of the legendary musician Gopeshwar Bandyopadhyay, he was a talent both in vocal and instrumental music. He came to reside in Kolkata permanently from the year 1921. He w