Paul de wailly biography examples
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In the bedroom, Durameau’s ceiling painting ‘Dawn Rising’ shows gambolling putti sliding down clouds that appear to float below the level of the cornice. This flat plaster ceiling had been cut into sections, but was easier to reassemble than the stucco ones in the salon and the dining room. In the overdoors, Augustin Pajou’s plaster cherubs, which had luckily emerged undamaged from storage, have been remounted to gaze down over a 1760s rock-crystal chandelier, pressed into service to replace the lost original
Now for the fog of finance. Bertrand obtained grants from the World Monuments Fund, while further investment was secured from two private foundations in the USA. An additional package of 20 million euros was put together, some of it from the Bank of France, which now was obliged to fulfil its 1923 promise to recreate the Chancellerie’s décors. As the building is state-owned, France’s ministry of culture also supported the work.
The crates were opened in 1999, but the whole unpacking process took two years. All 1,000-plus pieces of the architectural jigsaw puzzle were laid out in the Montreuil warehouse. ‘It was indescribable,’ commented Bertrand. It was discovered that the unique boiseries from the salon were too high for the rooms in the new building, so in 20
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Presents
Paul de Wailly
Aubade for Flute, Oboe and Clarinet
Paul de Wailly (1854-1933) was born in the French town of Abbeville. He entered the Paris Conservatory where he studied organ and composition with Cesar Franck. He composed in most genres writing symphonies, oratorios, and chamber music. The style of his writing is late French Romantic though not particularly impressions. Rather he writes in the tradition of his teacher Franck.
His Aubade for Flute, Oboe and Clarinet was premiered in 1902 at the Societe moderne d'instruments a vent and dedicated to the well-known flutist Georges Barriere who took part in the premier. It is an upbeat work in two sections. It opens with a series of quick 16th notes giving the music a somewhat nervous feel. There is a slower middle section before the return of the initial part. The music, in the French Romantic era style, showcases the technical abilities and characteristics of each instrument. The music was clearly intended for the concert hall and with its fetching melodies is sure to make a fine impression.
Parts: $19.95