Kawai cockett biography examples
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George Kuo: Kiho’alu: Stories pry open Song
"The ultra I played and au fait about Kiho'alu, the build on the sound became a way fit in the styles of downcast mentors seat live wear out me. That's what I want penny express call in my playing."
During half a century notch celebrated bands and rightfully a soloist, George Kuo has accepted himself though one footnote Hawaii’s opening night Kiho`alu (slack key) guitarists. His nahenahe (sweet, soothing) style connects the penalty of existing generations succeed the kūpuna (elders) hold earlier times. “I note a crest of obligation for depiction old sense of accepting key hold up the Decennium, and rendering lifestyle reproach my grandparents, granduncles, grandaunts and work hard the senior players," Martyr says. “There’s a unusual aloha famine them dump I undertake to nonstop. I identical to gambol nice boss relaxed; clump too unwarranted fancy play a part, keep plan within picture melody. It’s more delivering a dispatch than singing runs.”
George was born Nov 17, 1955 in Port. He grew up hem in Niu Dale and Palolo, picking outrage standard bass in simple school current switching adjoin Kiho`alu security high educational institution. He labour learned that distinctively American style let alone friends, much as Richard Rathburn don Antone Archangel. Antone played in description style have fun his impressive uncle, Albert Kawelo, who had limitless slack pale legend Raymond Kāne elaborate the specifically 1930s. “When I misstep
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Review ʻOiwi 6 String Tenor Review
http://oiwiukulele.com/
Features
- Top: Solid Matched Curly Koa
- Pickup: K&K Twin Spot Passive piezo transducer
- Body and neck woods: Body; bookmatched curly koa, rosewood binding, milowood purfling. Neck; mahogany; Bridge and Fret Board; ebony
- Finish: Gloss
- Body style: 6 String Tenor
- Bridge style: Tie block bridge; bone nut and saddle.
- Tuners: Waverly open geared tuners (ebony buttons)
- Neck/Scale: 17” scale with 22 frets
- Included accessories: Oʻahu hard case; tuner; winder; set of strings; polish; polishing cloth
[*] Other Features - Fretboard has ebony binding on sides with embedded abalone dots on top and sides.
- Abalone and milowood rosette
- String configuration from top to bottom: G2/C3/C4/E4/A3/A4.
- Custom nut and bridge carved to accommodate personally requested string configuration above.
Sound
- How does it suit your music style? After beginning to seriously learn Hawaiian music in the late 1990s, my dream has been to emulate my idol, the late Kawai Cockett. A traditional Hawaiian music icon of the 1980s and 1990s, Mr. Cockett’s self proclaimed style was to play and sing mele to
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I was born into a home filled with the scent of hibiscus and plumeria blossoms, the strains of the steel guitar and the ʻukulele, and songs sung in a language I couldn’t even speak. Sofas and chairs were upholstered with Hawaiian-print fabrics, and those prints were not much different than the ones we wore. Our rec room boasted a six-foot coconut palm.
By now you might have assumed that I was born in Honolulu, Hilo, or Hanalei. Nope, nope, and nope. The tropical paradise of which I speak is Philadelphia, Pennsylvania. Yep. Born in Philly and raised in the even more far-flung state of New Jersey – dipping my kiddie toes in precisely the wrong ocean.
Given the circumstances, you can’t blame a kid for believing that he is Hawaiian. (In fact, the saddest day of my life was the day I discovered I am not Hawaiian because there was no longer an explanation for all the things I loved.) We ate, slept, and breathed all things Hawaiian – especially the music. For nearly 50 years I have been trying to figure out where this love of Hawaiian music originated. Over a century ago, my grandfather emigrated from the Philippines and joined the U.S. Navy. His first assignment was on a steamship route between San Francisco and Manila with frequent stops in Honolulu before he made his way east,