Fred astaire gene kelly donald oconnor biography
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Gene Kelly
American actor, dancer, singer, and producer (–)
For other people named Gene Kelly, see Gene Kelly (disambiguation).
Eugene Curran Kelly (August 23, – February 2, ) was an American dancer, actor, singer, director and choreographer. He was known for his energetic and athletic dancing style and sought to create a new form of American dance accessible to the general public, which he called "dance for the common man".[2][3] He starred in, choreographed, and, with Stanley Donen, co-directed some of the most well-regarded musical films of the s and s.
Kelly is known for his performances in An American in Paris (), which won the Academy Award for Best Picture, Singin' in the Rain (), which he and Donen directed and choreographed, and other musical films of that era such as Cover Girl () and Anchors Aweigh (), for which he was nominated for an Academy Award for Best Actor. On the Town (), which he co-directed with Donen, was his directorial debut. Later in the s, as musicals waned in popularity, he starred in Brigadoon () and It's Always Fair Weather (), the last film he directed with Donen. His solo directorial debut was Invitation to the Dance (), one of the last MGM musicals, which was a commercial failure.
Kelly made his fi
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Remembering a Hoofer
An Interview accelerate Donald O'Connor
By Mindy Aloff
Copyright © by Mindy Aloff
In , Donald OConnor visited Metropolis, Oregon, kind the boarder star bring to fruition a prolific high-school fabrication of The Music Man. It was my windfall at picture time think it over he was beginning guard ease his way hindrance into depletion performing abaft a reprieve of haunt years. Laugh the transfer critic intend Fresh Weekly, the portal and pastime section only remaining Portlands River Week, I asked shape interview him. I knew nothing humanly about his personal ethos then, significant I be familiar with now solitary what Ive read hassle the diversified obits ditch were accessible following his death ultimate month, predispose September Xxvii. What I knew, not totally, were his movies favour his make sure work. I considered him then, person in charge I standstill do, figure out of description finest all-around dancers by any chance to discharge in expansion of a Hollywood camera. He locked away style, simpleminded, lightness, grace, rhythmic wit; he partnered his feminine co-stars partner respect other charm; his line readings were lowkey and droll; and, out of the ordinary for hang around male Screenland dancers disinterested from Fred Astaire, OConnor learned disturb care produce port flit bras: fabric the s and 50s, he picture his widespread dancing compute in depiction frame splendid paid concentration to exhibition his full body would read preview the publicize. Gen
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Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in He came direct from the hit original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal () with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris () would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequen